Calculate tempo-synced delay times, dotted and triplet delays, LFO rates, and reverb pre-delay from quarter-note BPM in music production.

Tempo means quarter notes per minute. Reverb values are starting points to adjust by ear.

Time signature

Default4/4. At quarter-note BPM,6/8 contains3 quarter notes per bar.

BPM Delay + Reverb Formula

All timings start from the quarter note in milliseconds, then scale by note value.

Quarter note (ms) = 60000 / BPM
Delay (ms) = Quarter note × Note factor
Dotted = Delay × 1.5; Triplet = Delay × 2 / 3
LFO rate (Hz) = 1000 / Delay (ms)
  • BPM — beats per minute of the track
  • Note factor — 4 for whole, 2 for half, 1 for quarter, 0.5 for 1/8, 0.25 for 1/16, 0.125 for 1/32
  • Delay — note duration in milliseconds, used directly as a delay time or pre-delay
  • LFO rate — cycles per second for tempo-synced modulation

Custom pre-delay offers 1/32 through 1/512 notes. Default 4/4 has four quarter notes per bar; 2/4, 3/4 and 6/8 are also available. At quarter-note BPM, 6/8 has three quarter-note durations per bar. Suggested decay = total rhythmic space − pre-delay. Decay parameters commonly describe a level drop such as RT60, not guaranteed silence at an exact boundary; fine-tune by ear.

Common Values and How to Use Them

Reference for the most-used delay times at standard tempos:

BPM 1/4 (ms) 1/8 (ms) 1/8D (ms) 1/16 (ms)
90667333500167
100600300450150
120500250375125
128469234352117
140429214321107
17434517225986

Illustrative settings to fine-tune by ear; these style suggestions differ from the calculator’s named starting-point chart:

Style Pre-delay Decay Best For
Plate1/321 barVocals, snare
Room1/641/2 barDrums, rhythm guitar
Hall1/162 barsStrings, piano
Ambient1/84 barsPads, cinematic
Slap1/81/4 barVintage vocals

Worked Example and Tips

Example at 120 BPM: A quarter note is 60000 / 120 = 500 ms. A 1/8 delay is 250 ms. Dotted 1/8 is 250 × 1.5 = 375 ms, the classic U2-style rhythmic delay. A 1/4 LFO rate is 1000 / 500 = 2 Hz.

Pre-delay choice: Set pre-delay long enough that the dry signal is heard before the reverb tail starts. On vocals, 1/32 to 1/16 keeps consonants clear.

Triplet vs dotted: Triplets feel faster and busier, dotted feels syncopated and wide. Use triplet delays sparingly on lead lines, dotted for atmosphere.

Rounding: Displayed times and rates are rounded. Devices with whole-millisecond settings may round further; check the timing by ear.

Timing reference: Alesis DM Pro Reference Manual. Decay definition: Valhalla FutureVerb controls.